Err
Well I have all that stuff you mentioned in your
First post sitting in my shed waiting for sanity
Or insanity to say f@#$ it just do it Rick.
Plus I was at festival plus I used rhino alot and electric ave and megaphon
And .. And .. And
Plus ... Plus .. Plus
So I know exactly what your are talking about Anton
And I lament and dream about the studios of days
Gone by
But
My drum room isn't even started little lone finished
The 40 channel neve isn't plugged in little lone
labeled on the patchbay for its new home
And for the record .. Rhino was $2500 a day in 1990
And they still had to close shop because they could Not
Turn a profit !
and inxs just wanted to record the next record
In Milan which made owning a studio that loses money
Not a good idea ( they owned it )
So here is an idea
Lets get a group of say 8-10 producers to guarentee
They will track drums at my place next year on let's say half
Of their projects .. At ..
I dunno $1500 a day ?
And I will put some walls around my stuff
And open a tracking room with the best classic neve
Australia has ever had
And a mike stand for each microphone in the studio !
And everything will work and sound right ..
..
I promise
--
Until then I think we all have to work on reality
.. I don't think the big studios have gone to open
Up a great oppurtunity for anybody
.. Running a big place in Sydney or anywhere
Is actually just about too hard .. It always has been
Now I am wondering if it actually is too hard
.. Well .. Just about
