Help on choosing a Dark sounding mic

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Help on choosing a Dark sounding mic

Postby walding » Fri Oct 26, 2007 1:19 pm

Hi Ya All

I'm slowing building up a mic collection but it seems the case in this day and age most new mics out there are very hyped in the top end so i'm looking for a dark sounding mic to have that option available as well.

Thoughts please

Thanks in advance
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Postby michael » Fri Oct 26, 2007 2:27 pm

ribbon mics jump out as the obvious answer...

what's that newish cheap weird death star shaped CAD ribbon mic? that is meant to be (subjectively) quite dark
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Postby walding » Fri Oct 26, 2007 2:34 pm

Yep Ribbons are one answer and i'd like to get one but i'm looking more at a Dark sounding condenser which means nothing from rode :)
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Postby Chris H » Fri Oct 26, 2007 3:26 pm

Neumann KM84 / 85 are a good choice for an open sounding mic without the top end being hyped
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Postby Kris » Fri Oct 26, 2007 4:21 pm

I'm looking at a Crowley & Tripp ribbon at the moment.... the Mercenary edition can be used on Kick drums. Sweeet.
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Postby Thirteen » Fri Oct 26, 2007 4:23 pm

I have a Neumann M147 and I would call it dark compared to most of my condensers.
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Postby jkhuri44 » Fri Oct 26, 2007 4:27 pm

the royer labs sf-12 speiden is quite a dark mic...makes cymbals sound "heavier"..than a typical top end hyped mic...used them as for the drum front end for a session my band did at electric avenue....nice mic to give some girth to other bright and open mics :)
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Postby Martin » Fri Oct 26, 2007 5:01 pm

darkest mic i use on a regular occasion is an old AKG d30, its dynamic, but stands up surprisingly well next to some more hyped and expensive condensers
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Postby walding » Fri Oct 26, 2007 5:11 pm

Hey thanks a bunch to all.

the Neumann KM84 / 85 and the AKG d30 has sparked my interest so i will research those.

I suppose what I'm looking 4 is a U47 sounding mic thats thick in the low mids. A very thick sounding dark mic.

I wonder if anyone makes something like this that won't break my already broken piggy bank.
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Postby rick » Fri Oct 26, 2007 5:27 pm

some of those octavia large condensers that look like a darlec or a volvo depending on your view on things
would suit fine,
beware however because some ( factory faulty) mics ring sympathetically
like a tom tom drum !
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Postby Aearth » Fri Oct 26, 2007 5:28 pm

Maybe try the Telefunken AK 47.

nIC
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Postby Text_Edifice » Fri Oct 26, 2007 8:01 pm

AT 4047? What's the intended source material (not that it matters dramatically)?
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Postby walding » Fri Oct 26, 2007 9:54 pm

Text_Edifice wrote:AT 4047? What's the intended source material (not that it matters dramatically)?


Good Question glad somebody asked it

Vocals and possibly kick or floor tom but mainly vocals

Cheers
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Postby peat » Sat Oct 27, 2007 1:22 am

AKG C4000B


vocals are great
not bad on horns too

no hyped high end
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Postby timix » Thu Dec 20, 2007 10:08 pm

The AEA R84 ribbon is my new favourite mic, I've been trying them on some live shows I did recently & as with recording they excell on brass, for double bass it's king, on guitar amps ( but only up to 160dB) it rocks so much i wish i could re do every gig I've ever done, & I even used it as the sole mic to pick up two vocal's , acoustic bass & guitar, I didn't need to use EQ in any circumstance. They would be good on piano & overheads too, & if you like the vocal sounds on 40's & 50's records, this is your mic, & it's a bargain when you consider they make you sound like a legend.
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