Kurt wrote:The audio will probably end up in 'tools for cleaning/processing/mixdown
Correction: The audio ends up in the [trash] bin and they get the actors back in for ADR! ;)
And some more feedback from the VOSGAMES www:
"Boom Recorder is the field recordists dream, It is the epitome of directly serving the needs of location recording with a simple and direct robust program which appears to be quite sturdy in every way...." - Charles Maynes, sound designer on 'Flags of Our Fathers'
"The two most significant features I took a shine to were 1) the metering system; its size and resolution are nearly perfect... highly useful without overkill. The ability to design my own preferred scaling for red, yellow, and green 'zones' is sheer brilliance. A quick glance is all I need for immediate, relevant feedback. I love it! And 2) the adjustable pre-roll buffer. I don't know anyone who hasn't been caught off guard by a momentary diversion that resulted in a near (or even a complete) miss of a cue in the heat of the battle. That buffer is worth the price of admission alone. Apart from those most significant features, I really appreciate the simplicity of the uncluttered interface that boils all of the required field-accessible in formation into a minimalist presentation. Everything you need is there, but JUST the stuff you need. Wonderful!" - Cletus Baker from Studio B, Ltd.
"I'm using Boom Recorder again on Season 2 of Project Runway Canada hosted by international fashion icon Iman. Boom Recorder worked flawlessly for me on Season 1 --in fact it never once locked up or crashed my MacPro system. Reality television's high track count means I'm often recording 24 tracks of 24 bit audio, 16 hours a day for 30 plus days of shooting --the thing is rock solid. Big ups for the fantastic application." - Mark Krupka, Head Audio Recording Engineer, Project Runway Canada.