Roy wrote:Hi guys!
What is that I should look for when buying patch bays? They seem so simple so why would a cheap one be inferior to an expensive one? Will a cheap one add noise to the path????
Hi Roy,
Well like everything in audio (and life), you get what you pay for. I guess it depends what the final use of the patchbay will be.
In a professional environment, cheap patchbays are a no no. There is nothing more painful than a ruined take due to intermittent failure of a connection. Plus intermittent problems are the most difficult to track down because by the time you go looking for the problem, it's magically disappeared. These situations have all happened to me due to crap patchbays.
Avoid the bear ringer ones (or similar) at all costs, they probably last 100 cycles before becoming problematic. In a fixed home studio installation with minimal patching they'd probably suffice, but only just.
Any patchbay that has PCB's should also be avoided - trying to find a cold solder joint in one of those is a nightmare and due to the constant strain imparted on a patchbay from plugging and unplugging it becomes inevitable.
The best patchbays are the traditional TRS (longframe) patch panels with everything permanently soldered through taper pin connectors (not punchblock connectors). The pro ones are usually nickle plated and last a very long time. The downside is that they are ~expensive~.
I've used all three, and again it the same old story. you get what you pay for.
Cheers
Chris