Hi all
I am interested in doing a specific course in Mastering. Are there any courses that could be recommended focusing mainly on Mastering in Melbourne or even online courses. I have a little time on my hands and would like to spend it getting to grips with this mystical art.
Cheers
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Are there any Courses in Mastering
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Are there any Courses in Mastering
Marc Peckham
- monkeymarc
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I doubt very much in Australia that there is anything specific - Mastering seems to be one of the 'dark arts' that is not widely taught unless you happen to be lucky to get a job at a mastering facility.
There are lots of folk who say they do mastering as part of their studio services - after all, they want to keep you for the whole process as a client generally.
A quick Google search shows there are a few online mastering courses
http://www.musicianuniversity.com/courses/audio.html
http://www.audiocourses.com/
http://www.audiomasterclass.com/ - this has a module on Mastering
Through Berklee Online
http://www.berkleemusic.com/school/cour ... em_id=8254 - Mixing and Mastering with Pro Tools
http://www.berkleemusic.com/school/cour ... em_id=8257 - Advanced Mixing and Mastering with Pro Tools
http://www.berkleemusic.com/school/cour ... id=2251864 - Audio Mastering Techniques
I hope this is helpful
There are lots of folk who say they do mastering as part of their studio services - after all, they want to keep you for the whole process as a client generally.
A quick Google search shows there are a few online mastering courses
http://www.musicianuniversity.com/courses/audio.html
http://www.audiocourses.com/
http://www.audiomasterclass.com/ - this has a module on Mastering
Through Berklee Online
http://www.berkleemusic.com/school/cour ... em_id=8254 - Mixing and Mastering with Pro Tools
http://www.berkleemusic.com/school/cour ... em_id=8257 - Advanced Mixing and Mastering with Pro Tools
http://www.berkleemusic.com/school/cour ... id=2251864 - Audio Mastering Techniques
I hope this is helpful
Tim Spencer
Pressurepoint Studios
Pressurepoint Studios
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TimS - Valued Contributor

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Mastering is more common sense than a "black art", knowing the limitations and specs of playback mediums (film, radio, tv, CD, mp3............. etc).
I don't think a course could teach you how to become a good mastering engineer, it could teach you the tricks, specs and the tools but becoming a competent mastering dude takes years of learning, listening and tweaking, also a good repertoire of trashy jokes helps too, heh.
Then once you know all that stuff you just need a small fortune and you're on yer way.
I don't think a course could teach you how to become a good mastering engineer, it could teach you the tricks, specs and the tools but becoming a competent mastering dude takes years of learning, listening and tweaking, also a good repertoire of trashy jokes helps too, heh.
Then once you know all that stuff you just need a small fortune and you're on yer way.
Heath Smith
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heathen - Valued Contributor

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I think angus is on the right track, if it's something you want to do
go to and pay for some mastering sessions , try a few different guys to see different
and common approaches
combined with the couple of books on the subject and a few months lurking on gearslutz or psw you would be as well on your way as anybody
and if you really and actually want to be a mastering engineer proper
get a job at a big place and chime back in in 5 years time with the results
it takes 5 years to learn when to do nothing to a mix
10 years to find out it takes ten years
go to and pay for some mastering sessions , try a few different guys to see different
and common approaches
combined with the couple of books on the subject and a few months lurking on gearslutz or psw you would be as well on your way as anybody
and if you really and actually want to be a mastering engineer proper
get a job at a big place and chime back in in 5 years time with the results
it takes 5 years to learn when to do nothing to a mix
10 years to find out it takes ten years
Rick O'Neil
I think we went to different schools together
turtlerockmastering.com
we listen
I think we went to different schools together
turtlerockmastering.com
we listen
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rick - Moderator

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The only time there'd be a 'dark' or 'black' art to it is if we had the lights dimmed too low... it's basically tonnes of listening experience in a real accurate & detailed monitoring environment requiring zero guesswork. As Rick said.. knowing when to leave well alone. And every job's a clean slate.
Happy to help demystify things, Marc... feel free to tee up a time to drop around with some mixes.
I'll even fire up the "mystical cauldron" for a cuppa.
Happy to help demystify things, Marc... feel free to tee up a time to drop around with some mixes.
I'll even fire up the "mystical cauldron" for a cuppa.
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Adam Dempsey - Registered User

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Adam Dempsey wrote:The only time there'd be a 'dark' or 'black' art to it is if we had the lights dimmed too low... it's basically tonnes of listening experience in a real accurate & detailed monitoring environment requiring zero guesswork. As Rick said.. knowing when to leave well alone. And every job's a clean slate.
Happy to help demystify things, Marc... feel free to tee up a time to drop around with some mixes.
I'll even fire up the "mystical cauldron" for a cuppa.
This is completely off topic but I just got asked by an artist if I could dim all the lights on the console because with every light in the room off they were too bright and killing the vibe.
If anyone knows how to do this on a J series the vibe will thank you heaps.
Mitch Kenny
www.mitchkenny.com
www.mitchkenny.com
- Mitch Kenny
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just trade it for an old 4000E, most of the lights will be out of order
wez prictor
composure music
http://www.composuremusic.com.au/
Australian importer of Crumar Mojo keyboards & accessories. Vintage keyboard fetishist.
composure music
http://www.composuremusic.com.au/
Australian importer of Crumar Mojo keyboards & accessories. Vintage keyboard fetishist.
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wez - Valued Contributor

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Someone nerdy could probably fit a switch to the light power circuit, or perhaps even a dimmer...
Mitch Kenny wrote:Adam Dempsey wrote:The only time there'd be a 'dark' or 'black' art to it is if we had the lights dimmed too low... it's basically tonnes of listening experience in a real accurate & detailed monitoring environment requiring zero guesswork. As Rick said.. knowing when to leave well alone. And every job's a clean slate.
Happy to help demystify things, Marc... feel free to tee up a time to drop around with some mixes.
I'll even fire up the "mystical cauldron" for a cuppa.
This is completely off topic but I just got asked by an artist if I could dim all the lights on the console because with every light in the room off they were too bright and killing the vibe.
If anyone knows how to do this on a J series the vibe will thank you heaps.
Kurt Neist
Chief cook and bottle washer - Metalworx
Chief cook and bottle washer - Metalworx
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Kurt - Valued Contributor

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Kurt wrote:Someone nerdy could probably fit a switch to the light power circuit, or perhaps even a dimmer...Mitch Kenny wrote:Adam Dempsey wrote:The only time there'd be a 'dark' or 'black' art to it is if we had the lights dimmed too low... it's basically tonnes of listening experience in a real accurate & detailed monitoring environment requiring zero guesswork. As Rick said.. knowing when to leave well alone. And every job's a clean slate.
Happy to help demystify things, Marc... feel free to tee up a time to drop around with some mixes.
I'll even fire up the "mystical cauldron" for a cuppa.
This is completely off topic but I just got asked by an artist if I could dim all the lights on the console because with every light in the room off they were too bright and killing the vibe.
If anyone knows how to do this on a J series the vibe will thank you heaps.
It's OK. I juuust took a black sharpy and coloured in his eyeballs.
The vibe is once again safe so please carry on :)
Mitch Kenny
www.mitchkenny.com
www.mitchkenny.com
- Mitch Kenny
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- Location: Sydney
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