JulienG wrote:I'm an odd one in that I don't really belive in balenced power.
While there are some small theoretical benefits 90% of the results people get are that almost every "balenced power transformer" unit is actually also a line conditioner.
Here in Australia I've generally found the power to be extremely stable and found no difference when running a studio off a line conditioner as opposed to the wall (caveat that this was a private spur for the complex with a seperate feed to the studio's breakers, smaller locations will inevitably be worse), but I haven't done the balenced power experiment.
The big thing to be aware of is any plugpack, or two prong'd devices may assume neutral is ground. Worth doing a safety check first.
A couple of oddities in the statements above. 24 hour runs with a logging multimeter shows spikes well over 1400 volts in both Melbourne and Sydney suburban and inner-city locations. Brown outs are also common place, and the wave form is generally far from a perfect sine wave. While a fresh wiring install can regain control over a part of the mains supply, the surrounding grid, load and actual cable conditions are not able to be controlled or in many cases predicted.
I'd definitely NOT agree that Australian power is stable. If it was then the number of hard drives I replace in situations where there is no UPS would be a lot less. Interestingly enough, exactly the same hardware running on UPS's has far fewer "unexplained" failures.
I have never yet seen a 2 pin plugpack approved for sale and use in Australia where one of the mains pins is assumed to be ground or used as a grounding point. Some older US equipment (for example some old Fender guitar amps) may have a tie between neutral and chassis via a capacitor, but anything legally allowed to connect to the mains in Australia does not tie neutral to earth/chassis ground. If you have ANY doubt at all, have a licensed electrician do a "tag and test" job on your gear.
I have used Peach balanced power supplies in many situations (both in controlled studio environments and live). In each and every case there were improvements in residual noise, with the side effect of apparent tonal improvements (undoubtedly because of the reduction of hum and HF noise). In all of the live experiments, improvements were in the order of at least 10 dB less noise.
Some of the better engineered studio installations (separate earth, star grounding philosophy, heavy cabling etc etc) displayed less of an improvement, but critical listening and comparisons before and after installation of a Peach balanced supply all delivered the same results: definitely less noise and definitely better imaging and a more solid bottom end.
It's very easy to exceed the current capacity, so it is worthwhile doing an audit on what you are supplying.