Gang,
Congratulations to everyone who enjoyed some success this year and sorry to hear some stories of dark times too. Upwards and onwards in 2014, eh?
Looking back at 2013, I reckon it was a ripper for me. Even though sometimes it didn't feel like it.
The main change for me was moving my mix room out of the second bedroom of our flat into a space at 301 Castlereagh St in the city. Separating work and home life has been a serious revelation for me, and I couldn't recommend it enough. It was a nervous move for me financially but it seems to be working out OK so far! I would urge anyone who's thinking about taking their thing to the next level to give it a red hot go. The move allowed my partner and I to move into a smaller place in the city which has also be an excellent lifestyle change. The studio is a 5 minute walk/2 minute bike ride from my house now!
One highlight engineering wise for this year include recording Unity Floors debut album 'Exotic Goldfish Blues'. This band/album might not mean a whole lot to a lot of you, but amongst the Sydney indie/DIY/whatever-you-want-to-call-it scene these boys are very well respected and the album got a lot of attention and good reviews in these circles. It was FBi radios Album of The Week and the single turned out to be FBi radios second most played song this year. Not exactly the Passenger record, but small steps, eh? I recorded that one at Linear then mixed it at my place.
Probably the favorite thing I recorded and mixed this year was this little 7" EP for this band Loose Pills
http://loosepills.bandcamp.com/ I mainly enjoyed it because I love power-pop (or however you want to label it) but also because these guys are an absolute blast to work with. They're older (than me) guys and have been around the traps. Hell, some of you guys have probably worked with them in other bands. They just know how to do it. Makes it a breeze. We started recording that EP on a Saturday. I mixed it during the week. Mastered it the following Saturday and it was sent to the vinyl plant that Monday. 8 days from first mic on an instrument to the pressing plant. When does that happen?!
I engineered/mixed/mastered/had-some-involvement with a whole bunch of other stuff that I won't go in to detail about such as Ted Danson with Wolves, Oslow, Making and No Art. All great bands and great projects but we'll be here all day if I go in to any detail about them!
The band I play the drums in, The Fabergettes, released a 7" EP (on green and pink wax!) and we played a whole bunch of shows in support of that. Even one in Perth. That's been fun because they're very good mates and we like to hang out together. It hasn't been quite as successful as the first EP but it was Brag Magazines album of the week and it had some reasonable reviews, so that's something. However, if another mate says "Save me a copy of the record" instead of just buying it, I might loose it!
I also started making a record for my own baby project The Metal Babies. I went to Linear Recoding for 3 days with the guys and had Wade Keighran on board helping out. Wade is a bloody legend, by the way, I would recommend working with him to anyone. We had a blast. We used two different vintage drum kits, 3 completely different mic setups and even blasted a couple out with all the amps and drums in the same room. All live to 16 track tape with no click. I've just started mixing a couple and because we spent so much time pulling good sounds it is honestly a breeze. There's nothing I could do to make this sound bad! I'm barely touching anything. I can't wait to show you guys this record.
The year ended on a slightly sour note (and yes, I know this is so so pale compared to the shit some of you guys have gone through this year). A band I've been making a record for for over a year decided to take the last song elsewhere for mixing. I've mixed all of the other tracks but this one track has got me stumped and I just can't get the sound they're hearing in their heads. It's a pretty weird piece of music and they've got this vision for it I just don't know how to get. I know this happens all the time, but having committed a LOT of time to this record it stings a bit not to be able to take it to the finish line. Trying to look on the bright side though. I still did record and mix the other songs, and I'm pretty sure it's going to be a reasonably successful record that I can be proud of.
I got some new gear. Rick helped me build a box for some Telefunken V74 preamp/line amp modules which I'm using all the time. I built a stereo JLM audio mac compressor which I'm using on every session! I also got one of those little Presonus Faderport for writing automation which is awesome, I reckon!
Anyway, sorry for so many words. This is the first time this year I've had a chance to sit down and have a good gander at this forum. The better I get at this "sound engineering" thing, the more I realize it's about working months at a time with no days off, and this year's been no exception!
I'm off up the coast to eat too much food and drink too much beer and hopefully get my head out of the studio for a week. A very Merry Christmas to all of you and I'll see you on the other side!
NF.