by Alastair Reynolds » Wed Sep 15, 2010 10:49 pm
The Living Presence recording techniques were pretty impressive.
No eq, no compression, no limiting, no filtering. just careful microphone placement, cutting edge recorders and pre-amps , excellent acoustic spaces and brilliant performances
The Piano work of Byron Janis playing "Pictures at an Exhibition", (mentioned on this webpage) is still the best recorded piano I have ever heard. The story behind this recording, where the master tape was "lost"/ mislaid for 30 years and only released for the first time in 1991 on CD is amazing in itself.
The Super Audio CD versions are the original 3 Tracks of the Master tapes and a 2 Channel Stereo reduction in the Hybrid disc.
I have many Mercury discs ranging from Balalaika recorded in Russia in 1962, Mono one mic recordings from 1952 of the Detroit Symphony, The Romero Family -Spanish Classical guitar , even Circus marches. All are amazing to listen to. They include details of mics and equipment used, even in the case of the 1812 Overture, the Age , composition and Bore size of the cannons at West Point used for the recording (And a bonus clean track of the cannons only). They were certainly pioneers in recording arts and sciences.
If there were enough interest it would be good to set up a listening day with some fine speakers and amplifiers and the odd bevvy, maybe in the warmer months. A good chance to yabba to other TR tragics about all things audio.
Alastair Reynolds
Broadcast Radio Engineer
Master of the Dark Arts (Broadcast)