let me tell you bob
i have tried with out a great deal of success to crack the code of reribboning microphones with any sort of consistency
i have asked "the guys" and they are all secretive about it
i have basically decided over time to send the work out and then i expect to have to send the mic back at least once to have it done again
to have it be a great MIc .
i hate that kind of position .. thus i couldn't generally be bothered with a ribbon mic once i had blown it out a couple of times
i get em fixed up properly and sell them , quite a few guys on the forum have jumped at my discarded ribbons and keep telling me what i favour i did them !
wes was pretty helpful but still he would always answer a different question to the one i asked !
fair enough he has to keep his bread buttered ...
but the ribbons are like guitar strings you have to change them !
its just a fact of life
the new turtlerock will have a large recording studio space and a therefore bunch of ribbons that i like so i figure i just better quit moaning and learn the game
what i do know for sure is for consistency you need a crimper and you need the right foil and you need a steady hand and a keen eye
.. you need some test gear and you need to know what you are doing .
i have tried , and given this weeks success will try some more but its hard
thanks to wes i have gotten better at it in 10 mins then i had in ten years
wes gave me some great insights into the how and why but its really one of those things you have to learn to do
it sounds to me your vegemite tins are just the ticket and way ahead of my efforts any way !
i have been using a camera lens ring it works .. but its a pain
so the deal is done in my mind i am getting a RCA crimper ... or a copy
of coarse its easier to decide your getting one then to actually get one
but you have to start somewhere...
