by Lee Cardan » Wed Oct 24, 2012 7:12 pm
Retro 2A3 is magic, seriously!
I'll elaborate - really 'energises' the bottom end and 'clarifies' the midrange and intelligibility, well that's how I feel about it. On vocals and bass (and kick and snare) it's.. well I can't imagine not using it. And on mixbus, it's incredible. Even sometimes all I do is insert the 40Hz filter and bam! bottom end tightens right up and gains definition - this is the final 5% that makes all the difference (and Chandler Zener, yep!). But usually it's a tiny bump at either 30, 60, or 100Hz and a little, or a lot of a broad boost somewhere from 3 - 14KHz (completely dependent on what the material wants, no two things are the same, and when you're listening the 'correct' choice is obvious). One thing it lacks in is really opening up the air in a mix - for this, Kush Clariphonic is on my list
Maybe this is just standard Pultec behaviour, but I've none other to compare it to. Regardless, it's incredible and easily can turn a dull and lifeless source into a slick finished sounding.. thing
Also, the MCI 500 EQs really have "that sound", I feel
Not for everything, the bottom end does leave a lot to be desired, but low mids - mids and highs are fantastic. The curves work on guitars from clean to high gain and everything in between, they're perfectly at home. Drums too, perfect! (but for Kick it's always the retro)