mylesgm wrote:the contents of the manual says that there are block diagrams etc but they are missing from your scan, do you have those pages?
We've found 5 further diagrams, but they're variations of the same rack patching configurations as in the second PDF link. Additional rack diagrams are: 'Selsynch' recording setup, remote control of tape recorder setup, using microphones that aren't normally connected to mixer inputs, replaying tapes and jack field legend for patch bays. My relative does not recall any electronic circuit diagrams for the 1963 Mixing Consolette, so I gather the manual is simply referring to these rack patching diagrams as 'block diagrams'.
This may be explained by something I found on Peter's site, the "No doc Patent":
http://www.oneillassociates.com.au/~poneill/Optro.shtmlMany Optro products were originally protected by two forms of low cost "patent", the "Epoxy Patent" and the "No doc Patent", circuits encased in epoxy and no schematic. Graham Thirkell started using the "Epoxy Patent" when he was working for Rola, part of the Rola Auto Q circuitry was protected this way. In the chat rooms dedicated to pro-audio here in Australia various people ask for Optro schematics, if any schematics still exist I will try find them and make them available on this site.Interestingly, this Optronics branded Mixing Consolette is dated from 1963, however Peter's site states Optronics was founded in the late 60's. It's highly likely this desk is one of, if not the first Optronics branded equipment as it was custom made locally whilst Graham was working other jobs.
If anything else turns up documentation wise, I'll let you know. Either way, as other posters have commented, it's highly recommended that whoever gets this equipment traces the circuits. Apparently most of the Optronics circuit diagrams were lost when the 62 Berkeley St Huntingdale factory was shut down.