Mixer design

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Postby jkhuri44 » Tue Jan 15, 2008 1:44 pm

rofl, thanks chris!
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Postby mfdu » Tue Jan 15, 2008 1:57 pm

Rofl - that always makes me think of a the noise a big shaggy dog makes.

or :
Image

(hey - are these tags on?)
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Postby jkhuri44 » Tue Jan 15, 2008 5:41 pm

i dont think so?
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Postby chris p » Tue Jan 15, 2008 9:28 pm

Rick wrote:my strong advice is to stop ...
and have a think about the metalwork/ size ergonomic format of this thing , long before you worry about the caps and resistors. when you find out that getting the metal work made to order is going to cost you at least $5k , you will soon decide a better way to go is ...


Aww - and there I was thinkin' that I knew this bloke who was really good at woodwork who might make me up a case for nuthin', seeing as how he's into music and all that.

Actually, my questions remain theoretical - its more understanding the nature and soul of consoles than a desire to build. Knowing how they do what they do to help me choose, maintain and functionally use the beasts. What's good and what's not. Why not to buy a Deadringer even when the local store is offering them at 40% off RRP.
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Postby mfdu » Wed Jan 16, 2008 9:27 am

a timber-framed console. now that could be cool, huh? how very flintstones.

but it'd less of a fire-hazard than one made of cardboard, at least.

you may have problems with grounding. and i wonder if frequency response would be affected by the type of varnish you use?

would you need to stick to known tone-woods, like a luthier? hmmm. so many questions . . .

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Postby chris p » Wed Jan 16, 2008 10:26 am

Hey mdfu

Timber case, not timber frame

The frame itself would be made out of diamond plated iridium.
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Postby mfdu » Wed Jan 16, 2008 1:00 pm

yeah chrispie, i getcha.

and the channel strips are all point-to-point hand wired.

and you aren't using LED's as indicator lamps - switching phantom power on launches a boat flare out the back of the console.

mmmmmm.

:)
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